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Lisa
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Adam,
the second and third movements in Glennie's "Rebounds" is different from the on-line concert in the sense that, she plays with a real orchestra. She changes the second movement a bit (doesn't sound like she rolls most of the notes and doesn't play the triplets in time in the first section; speeds up the second section; slows down the third section). The rest of the concerto, however, she plays at virtuosic speeds. Also, I notice that the on-line concert is the Third and Fourth movements
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