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William Moersch
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2005-2-20
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The terms I used were composed works and notated (meaning transcribed) improvisations.
Ms. Abe's pieces generally fall in the latter category, which is an important aspect for a subsequent performer to know. No, I don't think that there is anything wrong with a program of Abe improvisations. I would just recommend an equal examination of the many works written FOR Ms. Abe, as well as works written for other specific marimbists. See my Syllabus & Repertoire List elsewhere on this site for examples.
As to your other question, I have my personal favorites, but you are entitled to make your own choices.
WM
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[2300]Re:Question for Will Moersch (457 reads)
[2276]Conversations-Miyoshi <bill>
