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rlhubley
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I am thinking about playing the C Major fugue to work on independance among other things. I have sight read through this and it will take some shedding. Do any of you have any suggestions on how to approach sticking for a fugue? Is it just whatever seems natraul, or do you prefer to keep each voice assigned to a particular mallet (i.e. bass to mallet 1)? Also, do you think this would be a good audition piece? It is quick and demonstates quite a bit, maybe this paired with a short modern piece as well.
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[3041]Bach WTC Fugues (307 reads)
[3041]Bach WTC Fugues <rlhubley>