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William Moersch
Joined:
2005-2-20
From:
Posts:
323
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Behzad,
Yes, that's the hardest part of the piece, especially immediately before "f-3", which is often done as hands alternating instead of unison. The composer, however, has indicated that he prefers the version written.
Give the overall accel. gesture the proper shape, even if you have to start slower and more gradual due to lack of high end speed.
Yes, all rolls are traditional, not one-handed.
I trust you have corrected the minor misprints:
letter c (should be letter b-4), D natural
six measures after letter c & c-4 , third note F, not D
after letter c-4, no A over F#
letter e-2, 1/8 = 152, not 1/4
four measures after letter e-3 , repeated G#, not G#-A
two measures after letter e-4, D#/F# LH
three measures after letter e-4, G/A at end
two measures after letter f-1, D/C# RH, not B/C#
before letter f-3, all major 7ths in RH (E/D#, not D/D#).
after letter f-3, second run starts on E, not D
Good luck!
WM
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[3395]Re: Mirage (247 reads)
[3394]"Mirage" questions. <Behzad>
