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pat
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Also, After Syrinx II is written for either a 4.3 or 4.5 octave marima, and there are Ossia suggestions for those limited to performances on 4.3 instruments (that would include me). However, after a more thorough read-through of the piece I noticed two low G's in the 4th system of page 6 for which there is no alternative suggestion. Anyone know what should be done for those?
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